Lina Bernal Agray

Administrative Production Coordinator

Lina is the production coordinator who works closely with the accounting department to ensure that project finances are managed efficiently. Thanks to her organizational skills and planning abilities, she has been involved in projects such as “Treadstone” as an aide in office production coordination, “Topos” as part of the production coordination team, “Bang” as a field producer, and other projects.

ALEJANDRA CASTILLO

Development Production Coordinator

 Aleja is the production coordinator responsible for moving projects to the next stage, always attentive to the calls for proposals and project requirements to ensure successful execution. Her composure has led her to be part of projects such as “Ana Rosa” as a field producer, “Topos” as part of the production coordination team, “Bang” as a field producer, and other projects.

ANGIE CAROLINA GALEANO LEON

Production Accountant

Angie is the production accountant at Perrenque Media Lab. She has handled the financials for production services provided to clients such as Amazon, CBS, Telemundo, TIS, AG studios, Patagonia Films, Wideangle and others. With over 15 years of experience, she possesses extensive knowledge of online production, production management, budget planning, resource execution and management, project control, accounting, tax management, and compliance with Colombia Law 1556.

ANDREA NAVARRO

Accounting Assistant

Andrea Navarro, an accountant at Perrenque Media Lab, has 8 years of experience in accounting management and financial reporting for various types of original audiovisual projects and export services, including series, films, documentaries, and reality shows.

Cristina Villar Rosa

General Producer

Cris is a producer with a Master’s degree in Creative Writing and a background in advertising, acting, and music. She has consolidated her interests and talents through extensive experience in creative production, online production, production management, production supervision, and executive production in various audiovisual projects and markets. She has particular expertise in complex production services and experience as a production fixer in LATAM on behalf of foreign clients.

Among her extensive career, we highlight her recent works: “Club 57, S2” for Nickelodeon, “Suicide Squad 2” directed by James Gunn, “Enzo Ferrari” directed by Michael Mann, and the original Netflix series “Neon” in the USA. These projects were carried out in Colombia, Panama, Puerto Rico, the United States, and Italy.

Federico Nieto el’ Gazi

Executive producer and partner of the production company Perrenque Media Lab. 

He has worked as a Fixer for production services for Discovery series, including Naked and Afraid, Expedition Unknown, Discovering David Dobrik, among others; Appetite for Adventure and Locked Up Abroad for NatGeo; and other international television channels such as BBC, Outdoor Channel, and ERT from Greece, among others.

He worked as the Executive Producer of Topos, Carlos Zapata’s second film, which premiered at Tallinn Black Nights, and Ana Rosa, the latest documentary film by Catalina Villar. He is also the Executive Producer of Edith’s Magical Voice by Andrés Barrientos, currently selected for animation development by Ibermedia.

He is the Production Manager for animated series on RTVC and institutional series. He began his career in the production of audiovisual titles as an actor in several Colombian series such as La Selección and La esclava blanca and gradually transitioned to the production side.

He has worked as a Production Coordinator, Location Manager, Production Manager, and Line Producer.

Nicolás Martínez Lozano

Executive Producer

Nico is a director, assistant director, and highly creative director of photography with a deep fascination for visual semiotics. He is an excellent public relations professional at Perrenque Media Lab and the one who came up with the name for our production company. His debut as a Director and Director of Photography in the short film “Don’t Call Me Antonia” and his work as Director of Photography and Camera for the feature film “Topos” received international recognition. With over a decade of experience as a producer and co-producer of content at Perrenque Media Lab, combined with his experience as an assistant director on major projects in Colombia, he has become a solid and integral part of the production management team. His expertise encompasses planning, logistics, team and technical personnel formation, as well as client and supplier management.

LAW 1556 

Through Colombia Law 1556, we offer our services to foreign companies for the production of series, films (fiction, documentary, and hybrids), music video clips, commercials, and video games within Colombian territory. We provide the most efficient approach and necessary support to ensure you access the benefits and incentives available pursuant to Colombian law.

LOGISTICS

Our clients can trust us with everything; excellent logistics are a fundamental pillar for executing the resources that add production value to the projects entrusted to us.

Talent scouting, building inter-institutional relationships, contracting, resource management, location scouting and management, material and equipment procurement – all of these, along with the coordination and supervision of hospitality and transportation departments, are part of our comprehensive logistics services.

We take pride in having the most ‘perrencudo’ portfolio of providers and contractors in the audiovisual production services. Since 2012, the Colombian audiovisual sector has experienced exponential growth, thanks to the invaluable know-how we have gained from serving numerous foreigners who have come to Colombia as producers or crew members for filming.

(Note: “Perrencudo” is a colloquial term in Colombian Spanish, indicating something of high quality, top-notch, or with great style.)

RENTALS

We have a growing number of specialized rental houses equipped with cutting-edge technology to tackle any audiovisual challenge. Our rentals range from cinematic equipment to special effects houses, stunt facilities, prosthetic studios, production design firms, art costume and prop warehouses, and a wide array of on-set vehicles, providing support both in front of and behind the camera.

LATIN HUB

We are not just your contact in Colombia; we are your Latin Hub. We have colleagues and allied companies throughout Latin America, the Caribbean, and the US Latinx community, providing services in different countries.

We take immense pleasure in collaborating with our fellow Latin American and Hispanic brothers and sisters, uniting to strengthen our audiovisual industry. Together, we captivate our clients with the sheer power of our talent and unwavering work ethic.

NO ME LLAMEN ANTONIA

One last effort to grasp what is left of a woman’s memory. Her existence vanishing through what she no longer remembers.

TOPOS

Titi, Carlitos, Betún, Jhon and Pinky, five children between the ages of 4 and 12, work at traffic lights in Bogotá cleaning windshields, sleep in sewers, are chased like cats after mice, and daily face the anxiety of not knowing if the another day they are alive. The Moles except Titi are burned while they sleep; Titi begins a new path, she meets Ratona, a 15-year-old girl, her body is burned; Titi and Mouse embark on a journey between the living and the dead, while the Moles follow them without realizing that they have died. Titi and Ratona will have to face tragedy again, which has an outstanding debt with destiny.

Awards:
-BAM 2017 Recognition
-Incentive for feature film production, second category FDC 2017
-Cinephilia 2017
-Script Laboratory Morelia, Mexico 2017
-Guest San Sebastián market 2017
-Guest European Film Market 2018
-Youth Competition Tallinn Black Nights Film Festival 2021

BRIZNA

Marcos communicates with the dead, his lot is the last piece of land that Lainez lacks to build the development. Laura, a journalist, is the only one who finds out that the lot is a cemetery without tombstones. Laura helps Marcos to confront Lainez. Little by little, she is captivated by Marcos’s mission: guide the dead out of limbo. Laura has the urge to follow in her mentor’s footsteps, but terrified, she runs away. He returns, and when he does Marcos has been tortured by Lainez’s men. Laura fights to save him but he dies. She inherits not only the land, she happens to have all of Marcos’ powers and continues with her preternatural mission.

Awards: BAM 2016 Recognition, Screenings

ANA ROSA

Ana Rosa was a pianist and music was the only thing that broke through the wall of silence.
They never talked about her in the family, not my father, not my psychiatrist uncle, his children. But they told me many times that I looked like him. Then, that she was “crazy.” That they had performed a lobotomy on her… most of the lobotomies in the world were performed on women…
I learned later that it was his eldest son who suggested this treatment, before he became the eminent “anti-psychiatrist” I so admired.
The only photo I have of her, who died shortly before I was born, is a photo of an identity card. The rest is a mystery that I want to reveal: I want to know who it was and why they committed that brutal act on her.
Today the story of Ana Rosa haunts me because it is tragic, because it talks about women, about the functioning of the brain, and because through it one can understand something of the relationship between psychiatry and society.

SOFIA Y EL TERCO

Sofía is a 75-year-old lady who lives in a cold and quiet town in the Andes and has never seen the sea. For many years, her husband has promised her to go to the Caribbean, but reasons always arise that force her to postpone the dream trip. However, there comes a time when, thanks to the insistence of a friend, she decides to start the trip alone, leaving her husband at home.

BANG

Roberto and Laura are a married couple who have a plan that they are going to implement in a hotel room. However, Laura’s happiness for her release and the sadness of Roberto, who gives in out of love, ends up changing the course of the initial plan.

LA VOZ MÁGICA DE EDITH

In the most important musical reality show in Latin America, Edith (7 years old), displaced and motherless, discovers that singing has the power to drive away the demons that influence people. Edith will have to fight against the jury Stella who has manipulated her to sing in favor of Evil incarnate.

TREMOR

The murder of a puto triggers the most important case in Raquel’s career. While the clues of a series of sexual murders are pointing towards Agustina, a powerful congresswoman running for the presidency, she, Raquel, cannot avoid satisfying a perversion that bends her. Suddenly, a test is uncovered that reveals the past and confronts Raquel and her sister Renata with the sexual abuse they were subjected to as girls and the lurid triangle that intertwines them with the congresswoman. Betrayal, lust, hiding and death feed the driving force of this psychological thriller that teaches us that there are marks in life that are impossible to erase.